Monday, March 28, 2005

Soniah: HBO movie Sometimes in April

I watched a gripping HBO movie over the weekend, Sometimes in April, about the hundred days genocide in Rwanda in which one million poeple were killed. It's depressing, yes, but is it worth watching, yes. Why? Because bearing witness sometimes also means sitting through a movie. At least that's what I told my husband when he asked why I was watching it as well a very strong, script, good acting, and well all round quality. The end was a little bit hokey- spoiler- a pregnant women as hope for the future- but then that is what it is: giving birth when you know how cruelly and arbitrarily life can snuffed out.
NEVER AGAIN- is there any greater oxymoron?
There is a genocide in Darfur Sudan currently going on. You can help put an end to it.

Friday, March 25, 2005

Soniah: Kavelier and Clay

When Michael Chabon's The Amazing Adventures of Kavalier and Clay won the pulitzer prize I still did not think that I would read it. It was about comic books and their creators. I am not a big fan of comics, somehow bypassing the wholw Spiderman, Superman, Batman, fillintheblank-man, craze. Catwoman I might have picked up, and put down once seeign that she had a teeny tiny waist.
Betty and Veronica was as far as I went.
Chabon's wife Ayelet Waldman had a blog (defunct after she began a column for Salon.com in 2005) which I came across, and loved. It was smart, sassy and completely honest. She admits to being fixated on early 19th century pictures of dead people, as well as her fears of aging etc...Anyway she mentioned Micheal in an entry, he was linked, I clicked, his website was interesting, K & Clay reviews were terrific, and next I knew I'd gone out bought it.
I loved it.
Wonderful book which made human for me the world of comics and its early beginnings.
And here I blush- I'd judged the book my it's comic cover...

Soniah: Pankaj Mishra on Afghanistan

A wonderful essay by Pankaj Mishra on post 2001 Afghanistan. Drugs, in-fighting, the rich getting richer and the poor surviving, rural women suffering the fate of 'not seen, not heard' no matter who is in power.
This little titbit seemed particularly telling:

"I asked Hazrat Ali how farmers whom he had forced to stop growing poppy would find another way of feeding their families. He said he didn't worry about that. Opium was immoral, banned by the sharia; it had to be eradicated."

These are the all caring leaders of the masses.
very reminescent of banning women from a working because God will provide, only to see them later join the ranks of beggers.
There is so much fodder here for the fiction writer that it is mind boggling.

Wednesday, March 23, 2005

Soniah: In Dan Brown's Papar Bag

Dan Brown's three earlier novels, which produced barely a ripple when they were published, have now sold more than seven million copies, according to Nielsen BookScan. Based on traditional rates of author royalties, Mr. Brown has probably earned close to $50 million in the last two years from sales of his four books in the United States alone.

Yes we all dream, actually we all believe, until of course such a thing does not happen. I keep thinking this guy plodded through book one to three, only to see them go out of print. He wrote a fourth book with hopes that it might be his breakout novel, but probably with the sinister reality that this too would come and go out of print.
Yet he wrote.
And it was the book that put him in the map.
Most of us- nay, 99 % of us, authors, especially South Asian will not see success of this sort. Yet...yet...yet...

Friday, March 18, 2005

Soniah: Posing Nude

If nothing warms your cockles on an early Friday morn, this should:
The ideal author, from the viewpoint of a modern publisher, is a twentysomething babe making her debut in chick lit who will look hot posing naked in a glossy magazine." She added: "It is far more difficult for an author to stay in print than it is to get the first novel accepted."

I wonder..because authoress ages and therefore lolling boobs no longer able to loll in gravity defeying positions in said glossies.
Check out Jennifer Wiener. Chick lit with a moral. Her first book Good in Bed sounds wonderful. About a fat girl whose ex-boyfriend begins a column about how tough it is to date a fat girl, if only because fat girls have more problems being fat than anyone around them.
Jenjen's no skin and bones either. Which makes me sigh with joy and let down my gut. For a moment.
As one can see I'm totally obsessed, and pretty much brain washed over this 'gotta be thin or die' dogma.

Thursday, March 17, 2005

Soniah: Wife Swap- the real story

"Wife Swap" is a transplanted U.K. show, and it's not at all surprising that the concept originally took off in Britain, where class divisions are notorious and geography (i.e., your native accent) is destiny.

I enjoyed Wife Swap when it began- as an immigrant it was interesting to see how these poeple, predominatly white, were living and thinking and ultimately making life miserable for those that didn't live and think like them. A disease everyone the world over is stricken by, by the way.
Cultural differences and family values America may hone in on, but it tends to gloss over the class differences that both these things stem.
It is a let down though that so much of the shows are manipulated and so much information is not given.

Soniah: Last Surviving Man from Hitler's Death Bunker

Saturday, March 12, 2005

Soniah: Cupboard Choices

Nothing more irritating about a move than having to stand before rows of empty cupboards and decide where the glasses should go and where the cups, the spices, the tabasco.
And nothing scarier than knowing that as far as my family is concerned this is more important than whether my main character has solved the dilemma that is ruining her life, and will eventually be the downfall of a minor character too.
Or not-
After all on the page I am God..... as I am in Decision Cupboard too.

Wednesday, March 09, 2005

Soniah: Little Meera in Big Trouble

Meera and the media (From Dawn, Pakistan)
By Hasan Zaidi

The ongoing Meera controversy raises serious questions about the role of the media and manufactured consensuses, about sensationalism, motivation and a lack of ethics. Indeed, about a society willing to accept any hypocrisy and all conspiracy theories as well. It seems that nobody has bothered to ask the basic questions. Everyone has jumped on the bandwagon, which is how a media circus is created out of thin air.

Early in the morning on Friday, February 25, I received a call from Mahesh Bhatt, the Indian film producer whose latest under production film Nazar stars Meera. He had been deluged by calls from the Indian media asking for his comments on the 'fact' that Meera had been "heavily fined" by the government of Pakistan for shooting "vulgar" or "bold" (the two being interchangeable phrases in Pakistani lingo) scenes in the film. Furthermore, he said that the Pakistani government was considering a ban on any other Pakistani actors going across the border to work in Indian films.

Understandably perturbed, he wanted to know why this had happened when he saw his film (still unedited, and therefore unseen) as heralding collaboration between Indian and Pakistani filmmakers, something he had promoted as a guest of the Kara Film Festival two years in a row.

My first reaction was that the story made no sense. How could a government fine anyone - that being the province of the judiciary - much less Meera, for something no one had even seen yet. I was sure this was just another Pakistan-bashing story manufactured by the Press Trust of India, the wire agency that 'broke' the story to the Indian media.

What was discovered over the course of my investigations into the story and the subsequent events that followed, is how a media circus is born out of nothing at best, and malice at worst. Searching for references to the story on the net, there were already stories in the Indian media following up on the original PTI report. The Hindustan Times quoted Meera as saying: "It's my body and I should have freedom to decide what I want to do with it." Another quoted her as saying she would rather that her head be chopped off if she had done something wrong than suffer the indignity of a fine. I finally found the PTI report.

Reading the PTI 'news', it became clear that it was based on nothing more than "media reports" from within Pakistan. Now, one knows the credibility of such celebrity media reports that appear mostly in the vernacular press - and this one had not even made it out of the showbiz sections. But I decided to follow the lead to the Pakistani wire agency quoted as having released the story of the 'fine'.

Not able to find the original story on the wire agency's online site, I called up its Karachi bureau. I was directed to approach its Islamabad office from where the story had originated. A hassled and slightly defensive sounding desk incharge on the other end gave me some of the details I had already been informed about.

"But how is this story even possible?" I inquired from the desk incharge. "Meera is not employed by a board like the PCB which can fine the cricketers on its payroll. Aren't the courts the only places where people can be fined?" Reasonable questions and scepticism that would spring to mind.

The response was surprising. "Well, the government will get it done through the courts, of course," he shot back. "Look, this is a matter of national integrity, frankly because it involves Hindus and Muslims." I asked to be sent a copy of the original report, which was delivered half-an-hour later.

One perusal of the original report put everything in perspective. There were no named sources, only the ubiquitous "well placed sources" who had told the reporter of the outrage within the Ministry of Culture at Meera's "objectionable scenes." The same sources had told the reporter "that people are severely reacting (sic) to some of the vulgar scenes of Pakistani actress Meera as they are against Islamic ethics and moral values."

As if to drive home the point of its lack of objectivity or credibility, the short, flimsy 'news' item ended with the following parting shot: "It must be mentioned here that no actor or actress is allowed to spread vulgarity as we live in an Islamic state." Bravo! I thought to myself, to anyone who takes such a 'news' item with any degree of seriousness.

Unfortunately, the Press Trust of India is not the only one out to believe any piece of libellous gossip. By the afternoon of that day, a local television news channel had picked up the PTI report (an interesting turnaround for a story that originated in the mind of a Pakistani journalist in Islamabad) and used it as the basis for extensive coverage on the issue, well into the realm of the sensational.

Putting it among its top headlines, the channel claimed Meera was "facing severe criticism from the public" over the unseen scenes. No public voices were ever shown to back up its contention. It presented the alleged fine by the ministry of culture as fact without ever questioning it or bothering to get the government's point of view. And interviewing the Pakistani star in Mumbai over the telephone, it inquired of her why she had done scenes "not in conformity with Pakistani and Islamic values."

Even as it interrogated the starlet about her betrayal of "Pakistani and Islamic values", the channel ran clips of a song sequence from Nazar, that frankly contained nothing more licentious than any Pakistani film and certainly a whole lot less than many other Indian films or other films shown in Pakistan on cable or available openly in the video stores. Meera's retort to the questioner, asking if he had ever seen Pakistani films, was quite apt in my opinion.

To top it all off, the channel also asked her if she had received the notice from the ministry of culture, which she obviously denied. Not once did it cross the mind of the channel to check if any notice had actually been sent, what it could possibly contain (would it tell her to stop doing "bold" scenes?), or what the modalities would be for Meera to receive such a thing in Mumbai (would it be faxed across to her? Would the local postman bring it?).

Suddenly, by the evening, the Meera controversy was big news. And notable people were weighing in with their opinions on it. The federal minister for culture, Mohammad Ajmal Khan, adding his two bits the next day, told reporters that he was "saddened along with the rest of nation" that Meera had "taken part in such immoral scenes." A "high-level meeting" would decide what action the government would take, he added, after meeting with Pakistani film producers, the actor's union and the censor board.

For his part, the Pakistani ambassador in Delhi, Aziz Ahmed Khan, tried to set the record straight by pointing out that no ban was in place on Pakistani actors working in India. But his voice was drowned out in the din of others competing to prove their 'patriotism'.

Tuesday, March 08, 2005

Soniah: Taslima Nasrin: Nobel 2005 Nomination

Friday, March 04, 2005

Soniah: Two Year Old to Marry

In 14 years, if the ruling of the village council – or panchayat – where she lives in rural Pakistan is obeyed, she will be married to a man 33 years her senior.
As I look at my two year old daughter I am again reminded that where and to whom we are born shapes who we become and how we will live.
As a fiction writer my mind began going it's usual way, thinking up a story, fast forwarding time to when this girl is getting married, and maybe adding a twist and having her happy about it because she had an accident with acid when she was young, and with a burned face no one else would marry her and so...
But I cannot turn into a story a plight of this nature. I cannot. It is too heart breaking. What could be a horrifying life for this girl, cannot just be fodder for my keyboard.
What does that say about me the writer?

Soniah: Rapists Walk Free

Mukhtaran Bibi thought her nightmare was over when the men who gang-raped her - on orders from village elders - were sentenced to death more than two years ago. But yesterday the nightmare began again.
What is there to say, except that for every Pakistani this is a shameful, shameful day.
So much for claiming we're on a higher pedestal when it comes to women and power just because we've have a female prime minister, Benezir Bhutto- of course had her father not been Zulfiqar Bhutto, chances are she would have never made it in the first place.

Soniah: The Muslima Question

The women (and like-minded men) who are speaking out tend to be in their 30s, and their message embodies a generational clash between traditional Muslim immigrants and Muslims born or raised in the West, says Daisy Khan, executive director of the nonprofit American Sufi Muslim Association, which works to build understanding between American Muslims and non-Muslims.
I think the crux of the whole issue is a type of woman who is content with doing as she is told, and the other that does what she is told only when it makes sense to her. My mother was against me smoking because only disreputable girls did so. I smoked because to me a cigarette had nothing to do with reputation- I couldn't change her mind, time and a shift in Paksitan's moral conscience have done so.
Young women today whether in America or Pakistan, drink, smoke, fuck, have abortions and then pray to Allah on the same day: and why shouldn't they?
Because God says they can't according to interpretations handed out by a patriarchal set.
I suppose such women are trying to find a way to justify remaining a Muslim while leading the life style they are comfortable with. They want their cake and they want to eat it too.
G & L are currently battling out the right to marriage in Christianity.
Religions are in a state of flux, since social mores are on the change.
I might not be alive to see what becomes to the religions of the book in a hundred years, but the beginning rumbles and trumpets of revisions are all too clear.

Wednesday, March 02, 2005

Soniah: Un-Ode to a Car

It is no mistake, I think, that the sprawl the automobile has facilitated has as its essential quality, sameness: "travelers" coming out of their cars want to find the same Denny's, the same Holiday Inn, the same AM-PM, that they would find back home.
Very interesting essay on what cars contribute to a the soul of a society.
I was particularly struck by the idea that 'back home' can be sought through a car, the very means that takes one away in the first place.